General
Music Theory
Ethnomusicology
Musicology
Musical Acoustics and Psychoacoustics
Worldwide
Internet Music Resources---a large and well-kept directory from the
University of Indiana.
Music
Resources---another huge directory, from the Sibelius Academy.
Internet
Resources for Music Scholars---another, with a scholarly focus, from
Harvard University.
Newsgroups
and Mailing Lists---probably the best list of lists of musical mailing
lists and Usenet News faqs.
CAIRSS---a
bibliographic database of music research literature.
Grove---Their
New
Grove Dictionary of Music and Musicians and other dictionaries
claim to be the best general references, and probably are, but they have
been severely limited by their Eurocentric, art music perspective.
The new edition and online subscription service, however, promise improvements.
The
Garland Encyclopedia of World Music---looks dazzling, on the other
hand. We haven't yet had the chance to read it, but we're very eager to.
It may be bought here.
There are a lot of "EZ" music theory sites that can get beginners off to a bad start. For anyone, beginner or trained theorist looking for a clear exposition of Western theory, we recommend Ralph Turek's excellent text, Elements of Music: Concepts and Applications (volume 1, volume 2). For an interesting contrast, see Richard Sorce's Music Theory for the Music Professional: A Comparison of Common-Practice & Popular Genres and for jazz, see Mark Levine's The Jazz Theory Book. One exceptional webpage might be the Gems of Compositional Wisdom, some interesting practical insights hiding behind a grandiose title (not that we at the OI think that grandeur is anything of which to be ashamed). A Practical Guide to Musical Composition is in a similar vein; it's interesting to compare them with the advice of Brahms. Larry Solomon also has some useful information for Western composers. If you must have a basic online reference, try Star Theory or this or this.
Most sources have an almost completely
Western bias:
The Society for
Music Theory---a large scholarly organization.
Texas
Institute of Theory---a shameful masquerade, in our opinion.
The Journal of Music
Theory---from Yale.
Music
Theory Online---an online journal from the Society for Music Theory.
Some interesting work:
Michael Keith, From
Polychords to Polya: Adventures in Musical Combinatorics---an interesting
examination of music theory with combinatorial mathematics.
Guide to Shenkerian
Analysis---an excellent online introduction to Schenker's method.
Bimodalism---the
harmonic system of Enrique Ubieta.
Cognitive
Constraints on Compositional Systems---a surprisingly good introduction
to Fred Lerdahl and cognitive music theory. Lerdahl and Jackendoff's book,
A
Generative Theory of Tonal Music, has become a classic.
Polytonics---the
harmonic system of William Matthew Beachy.
The Schillinger
System---devoted to the work of Joseph Schillinger.
Tone
Clock---Theo Hoogstins on Peter Schat's harmonic system.
A
Theory on Open Modality---the harmonic system of Emery Szasz.
Hans
Straub's MaMuTh Page---dedicated to Mathematical Music Theory.
An
essay on patterns in musical composition---a good essay on mathematics
in music theory from Bill Hammel, who has several others here.
MusicMedia
Science---important work in performance analysis and a forum for fundamental
research in music.
Books:
The
Garland Encyclopedia of World Music---a massive reference covering
all areas, eras and genres. It may be bought here.
Porter, The
World's Music (Garland Encyclopedia of World Music, Volume 10)---an
essential reference.
Reck, Music
of the Whole Earth---an excellent popular treatment, many will
find it broadening.
Titon, Fujie and Locke (editors), Worlds
of Music: An Introduction to the Music of the World's Peoples---a
good introductory text.
Nettl (Editor), Excursions
in World Music, 2nd edition---an excellent, readable introduction,
with CD enhancement.
Nettl, Study
of Ethnomusicology---an introduction by a giant.
Kunst, Ethnomusicology---a
classic introduction.
May and Hood, Musics
of Many Cultures: An Introduction---twenty essays on non-Western
musics.
Myers and Sadie (editors), Ethnomusicology
: Historical and Regional Studies---a popular sourcebook.
Shelemay (editor), Ethnomusicology:
History, Definitions, and Scope: A Core Collection of Scholarly Articles---this
anthology provides a good historical overview.
Nettl, et al., Comparative
Musicology and Anthropology of Music: Essays on the History of Ethnomusicology---this
anthology provides a critique of the discipline.
Sullivan (Editor), Enchanting
Powers: Music in the World's Religions---this anthology adresses
a fascinating set of genres.
Nettl and Russell (Editors), In
the Course of Performance: Studies in the World of Musical Improvisation---an
interesting anthology on systems of improvisation.
Kartomi, On
Concepts and Classifications of Musical Instruments---a synthesis
of trational organologies.
The
Origins of Music---a interdisciplinary anthology and an important first
step in the field. Should we greet the birth of evolutionary biomusicology
with elation or suspicion?
Directories:
Ethnomusicology,
Folk Music, and World Music---a large directory from the University
of Washington.
Ethnomusicology
Sources on the Internet---a large directory.
Online
Sources for Ethnomusicological Information---another resource guide.
Ethnomusicology
Bibliographic Guide---a good, basic bibliography, but it needs an update.
guide
to programs---a guide to academic programs in ethnomusicology.
Folklore---Library
of Congress Gopher.
Societies:
The International
Council for Traditional Music---a UNESCO NGO with study groups, colloquia,
etc.
The Society
for Ethnomusicology---a large scholarly organization.
The European
Seminar in Ethnomusicology---holds annual conferences.
The Society
for Asian Music---featuring their journal.
Music Research
Institute---focused on contemporary and cross-cultural issues.
Publications:
Ethnomusicology
OnLine---an online journal.
Music
& Anthropology---an online journal with an emphasis on the Mediterranean.
Trans---an
online interdisciplinary journal.
Ethnomusicology
Research Digest---a mailing list from the University of Maryland.
Cognitive
Ethnomusicology Email List---for those whose research interests combine
ethnomusicology and cognitive science.
Yearbook
for Traditional Music---a journal from Columbia University.
The
British Journal of Ethnomusicology---from the British
Forum for Ethnomusicology.
The
Pacific Review of Ethnomusicology---an occasional (not less than once
a year) publication from UCLA.
Journal
of the Society for Asian Music---covering the whole of Asia.
Musical Traditions---an
online folk music magazine with a lot of material.
Archives:
Resources
on Early Recordings---a variety of resources, including early ethnographic
recordings.
Archive
of World Music---a large collection at Harvard University.
The Archives
of Traditional Music---the largest university archives in the United
States, at Indiana University.
International
Music Collection---of the British Library National Sound Archive.
Other sources:
Speakeasy
World Music Pages---some interesting articles on rhythm.
AudioWorks Ltd.---produces
audio-to-MIDI converters.
Wildcat
Canyon Software---produces audio-to-MIDI converters.
AmazingMIDI---an
audio-to-MIDI converter.
Note Chaser---transcription
software featuring visual displays.
Woodshed
Home---software that slows down audio without changing pitch.
Seventh
String Software---software that slows down audio without changing pitch.
(Note: a good sound editor, such as CoolEdit
can be useful for transcription.)
Unfortunately, musicology is not the science of music
it set out to be; it tends to focus on the minutia of Western art music
of the common-practice era.
Cockerell and Miller, History
of Western Music, 5th edition---a clear first text.
Grout and Palisca, A
History of Western Music, 5th edition---a standard reference text.
Lang, Music
in Western Civilization---a well-loved classic. enormous.
Bergeron and Bohlman (Editors), Disciplining
Music: Musicology and Its Canons---arguments for a broader music,
a position toward which the Institute is highly sympathetic.
Chadabe, Electronic
Sound: The Past and Promise of Electronic Music---the definitive
history of the subject.
Chanan, Repeated
Takes: A Short History of Recording and Its Effects on Music---a
fascinating study.
Theberge, Any
Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture)---an
interesting study of the sociology of music technology.
Cadwallader and Gagne, Analysis
of Tonal Music: A Schenkerian Approach---probably the best guide
to Shenkerian analysis.
Vander Weg, Serial
Music: A Research and Information Guide---comprehensive and up-to-date.
Castine, Set
Theory Objects: Abstractions for Computer-Aided Analysis and Composition
of Serial and Atonal Music---fascinating to those of us interested
in object-oriented representations of musical ideas.
Hewlett and Selfridge-Field (Editors), Melodic
Similarity: Concepts, Procedures, and Applications---excellent
work in musicological computing.
The American
Musicological Society---a large scholarly organization.
Journal
of the American Musicological Society---and its journal.
South African
Journal of Musicology---from the Musicological
Society of Southern Africa.
Sites
of Interest to Musicologists---and many others.
Music
History Resources---a good outline of Western theory.
Unknown Composers---champion
an unknown and Fame with her fickle trumpet will bless you.
The
Music Performance Research Centre---an archive of sound documents at
the Barbican Centre, London.
The
Petrucci Project---a noble effort to digitize out-of-print music; we
encourage you to volunteer.
International Association
for the Study of Popular Music---a large scholarly organization.
Hypermusic---histories
of jazz and classical music.
Cognitive Musicology:
Tabor (Editor), Otto
Laske: Navigating New Musical Horizons---compositional practice
and musicological research using computers with ethnographic considerations.
Narmour, The
Analysis and Cognition of Basic Melodic Structures: The Implication-Realization
Model---and (see below):
Narmour, The
Analysis and Cognition of Melodic Complexity: The Implication-Realization
Model---fascinating, these two books present a comprehensive theory
of melody.
Lerdahl and Jackendoff, A
Generative Theory of Tonal Music---a classic exposition of the
cognitive approach.
Lerdahl, Tonal
Pitch Space---eagerly awaited.
Leman (Editor), Music,
Gestalt, and Computing: Studies in Cognitive and Systematic Musicology---
Desain and Honing, Music,
Mind, and Machine: Studies in Computer Music, Music Cognition, and Artificial
Intelligence---
The Institute for Music
Research---concentrates on music technology, music psychology and their
integration.
The
European Society for the Cognitive Sciences of Music---a large scholarly
organization.
MuSICA---research
on music as related to behavior, the brain and allied fields.
Music, Mind, Machine
---at the University of Nijmegen.
Music Cognition---at
the Ohio State University.
Cognitive Musicology---connectionism,
physicalism and representation at the Universities of Jyväskylä
and Helsinki.
Musical Acoustics and Psychoacoustics
for Musical Acoustics in general:
Fletcher and Rossing, The
Physics of Musical Instruments, 2nd edition---a solid first text;
well done.
Benade, Fundamentals
of Musical Acoustics---an excellent introduction, but light on
mathematics.
Roederer, The
Physics and Psychophysics of Music: An Introduction, 3rd edition---another
good introduction with light mathematics.
Hall, Musical
Acoustics---a first text.
Benade, Horns,
Strings, and Harmony---a popular treatment by a major name in acoustics.
Olson, Music,
Physics and Engineering---another good popular introduction.
Helmholtz, On
the Sensations of Tone---this nineteenth century classic would
be of historical interest only, if it were not for the extensive appendices
by Ellis.
Nederveen, Acoustical
Aspects of Woodwind Instruments---useful for makers and synthesists.
Cremer, Physics
of the Violin---useful for makers and synthesists.
Rossing, Science
of Percussion Instruments---eagerly awaited.
Embleton (Editor), Aip
Handbook of Condenser Microphones: Theory, Calibration, and Measurements---for
acoustical research.
Physics
of Sound---notes from a course at the Australian National University.
for Psychoacoustics:
Deutsch (editor), The
Psychology of Music, 2nd edition---massive and seminal, extraordinary
coverage.
Moore, An
Introduction to the Psychology of Hearing, 4th edition---a solid
first text.
Warren, Auditory
Perception: A New Analysis and Synthesis---a popular first text,
with a CD of examples.
Cook (editor), Music,
Cognition, and Computerized Sound: An Introduction to Psychoacoustics---an
excellent place for the computer musician to start.
Hartmann, Signals,
Sound, and Sensation (Modern Acoustics and Signal Processing)---a
useful second text, focusing on the mathematics of signals.
Zwicker, et al., Psychoacoustics
: Facts and Models---for advanced students, a source for many practical
details of models and experimental design.
Bregman,
Auditory
Scene Analysis: Perceptual Organization of Sound---an important
exposition of modern theories concerning complex auditory perception; see
also Rosenthal and Okuno (Editors), Computational
Auditory Scene Analysis.
Blauert, Spatial
Hearing: The Psychophysics of Human Sound Localization, Revised edition---essential
for researchers in localization, spatialization and three-dimensional sound
of every kind.
Trance
Balinese Barong, Gnawa Music of Morocco, Zkir from Chinese Turkestan (The
Musica Expeditions Series/Book and CD)---interesting examples of
trance-inducing music.
Tinnitus
FAQ---if you suffer from a constant ringing in the ears.
Music
Experiment Development System (MEDS)---software for developing and
running multimedia perception experiments.
A
Basic Bibliography for Sonic Studies---from the World Forum for Acoustic
Ecology.
Books
& Articles on Acoustics---another good, basic bibliography.
The
International Commission for Acoustics---a large scholarly organization.
Institute
of Acoustics---a large scholarly organization in the UK.
The
Acoustical Society of America---a large scholarly organization.
Catgut
Acoustical Society---an organization devoted to musical acoustics and
instrument building, especially violins.
Audio Engineering Society---publishes
an important journal.
Institute for Psychoacoustics
and Electronic Music---a Belgian organization.
Musical Illusions
and Paradoxes---a CD illustrating the fascinating work of Diana Deutsch.
Archeoacoustics---unintentional
sound recordings of great antiquity.
The
Acheoacoustic Player---an attempt at recovering ancient sounds.
Fish
Acoustics---delightful.
